Quick Thought: Doom Patrol 2.04: “Sex Patrol”

Some thoughts on the new Season of the Doom Patrol TV Series. Assume spoilers.

While watching, I frequently ponder whether I’m the ideal audience for this show —or whether I’m the worst. I know most of the source material they are drawing on, mixing and remixing characters and ideas from almost 60 years of comics. So I have some context for the cavalcade of weirdness: this a character from Grant Morrison, that’s a idea from Rachel Pollack, that’s a plot twist from Gerald Way, and so on.

I like the way the blender that is Jeremy Carver’s show reinterprets and rebuilds the comics. The SeX Men and the Shadow Mr. Evans are from the later issues of the Grant Morrison & Richard Case run. While they had their unique quirks, you could get the feeling that Morrison/Case were staring to recycle ideas. The SeX Men were another flavor of Normalcy Agents, while the Shadow Mr. Evans was next in a line of bizarre Demiurges. Remaking the SeX Men as orgone-tracking Ghostbusters was clever, and the comic never had any reason whatsoever for the Shadowy Mr. Evans to have an umbilical attached fetus floating around him.

Still, after the initial excitement of his appearance, I missed the attitude and dark insanity of the Shadow Mr. Evans as an active character, rather than a voiceless specter. The emergence of Scarlet Harlot was a big, very disturbing event in the comic and while she got a cameo here, it ended up another example of the show’s hesitancy to really go all out with what the comic gives them to work with.

It can be amazing to see what this show is doing with Doom Patrol lore. I don’t want them to just recreate comic stories. Their original concepts and plots, such as the party to revive Danny or their fresh interpretations of characters such as Rita or Dorothy, are the show’s best elements, worthy contributions to the many, varied visions creators have had for Doom Patrol. But too often by the end of an episode I’m disappointed that they aren’t doing more, that they back away rather than just going all out.

Presentation of comic lore and High Weirdness are one thing, another is fundamental problems with the characters. Most everybody seems adrift and without motivation. They are consumed with being depressed and tortured. Not that they don’t have good reasons to be. It is just that Cliff, Rita, Larry, and Jane have already spent decades mopping about the mansion feeling that way. I was anticipating the show being about their finally breaking out of their prison/refuge and becoming something more. Any growth from last season seems gone. They don’t really have anything to do. They are not even much connected to the surreal events swirling around them. I would love to see Rita trying to be a superhero, or have Cliff develop individual, functioning relationships with Jane’s personas. Or Larry go down a transhuman themed path into becoming Rebis, the unified alchemical entity from Morrison/Case’s stories.

If all we are going to get is grief, self-pity, and more “new” secret traumas from their pasts, I’m going to loose interest.

Quick Thought: Doom Patrol 2.03: “Pain Patrol”

Some thoughts on the new Season of the Doom Patrol TV Series. Assume spoilers.

So far this season is dividing the characters along a lot of individual paths, rather than uniting them as a team — or as a supportive, if dysfunctional, family. I’m not sold yet on how this will work out.

Red Jack

Red Jack is from the second story of the Morrison/Case run of the comic, a minor and mostly forgettable villain. I was wrong in predicting that Larry would be the focus of Jack’s interest. Building a connection between Caulder’s past willingness to cause pain and Jack’s feeding on pain worked well and was an improvement on the comic’s more vague motivations. I don’t understand though why they kept the release of the captured butterflies but didn’t follow through with the comic’s notion that their pain was the source of Jack’s power and that it was freeing them that ultimately destroyed Red Jack.

Jane’s story is progressing and seems going somewhere. She’s got issues to deal with and really challenging conflicts to resolve. Both Jane and the collective Underground are trying, though failing, to cope with their situation — but we can sympathize the reasons behind their bad decision. This contrasts with Cliff’s situation where he is just acting dumb and doesn’t appear to have learned anything or gained any perspective from his recent experiences.

The friendship between Larry and Rita was well presented, but the show needs to continue to build on that. Rita has had episodes building connections with other characters such as Cliff and Vic, but those seem abandoned now.

And Vic… He continues to be in his own Cyborg mini-series.